Launching in 2021, Echobox has been forging a path for community radio by showcasing the diverse characters and concepts that surround them. In this feature, we will be looking into a few of the broadcasts that you can tune into so get locked in and don’t touch that dial.
DJ Madbwoy: When not at Echobox, I am at my home studio playing and recording drums, bass guitar and other instruments. I produce music in Ableton, make graphic designs, give massages and spend time with my son.
DJ Popskull: Dj Popskull aka Alieu Touray, from the Gambia. Started DJing because of the love I have for music in general.
Angel the Dancehall Explorer: Family first, dancehall explorer, cultural cocktail 🇦🇼 🇮🇳 🇳🇱 🇸🇷, demisexual, high school dropout, vegetarian... that about sums me up! When not at Echobox I spend most of my time working all kinds of jobs which make me very happy.
DJ Madbwoy: The Jamrock Radio show is here to give people a view of Dancehall music in an energetic, playful and exciting way. To keep people updated with new bangers, but also to study the past and to zoom in on certain subjects within Dancehall.
DJ Popskull: My purpose of being in the Jamrock radio team is to promote dancehall music and allow our audience and dancehall lovers to get used to what we play at parties by bringing out the best of old & new music etc. Echobox Radio is a good tool for that so great thanks to Echobox Radio!
Angel the Dancehall Explorer: Jamrock in general is obviously about Dancehall, however, there is more to it in the sense that we don't follow or set trends, rather we set a culture. The Jamrock Radio show is yet another platform for people to learn about/ enjoy/ engage with this culture outside of the traditional frame.
DJ Madbwoy: Community radio made me realize that there’s a lot out there besides commercial radio. I’ve never been a very frequent radio listener tbh.
Angel the Dancehall Explorer: Growing up in the Caribbean I was an avid radio listener, and didn’t distinguish between commercial or community radio. What I’ve learned at Echobox is that we do Dancehall differently, no badman culture, no hype ’n boase and to appreciate inclusivity and diversity.
DJ Madbwoy: I’ve known Popskull since 2011/12 I think? We used to play at Gyal A Bubble events and in Caprice Amsterdam in the past. Sometimes an evening together and sometimes one of us did an all-nighter from 23:00 - 05:00. We learned how to fill up entire club nights with dancehall and reggae music during those years. I’ve known Angel for a long time, but I don’t know when I first met her hahaha. It must have been a Jamrock event then. Maybe Angel knows…
DJ Popskull: We all met at the parties, Jamrock XXL and other Dancehall parties. There is where we got to know each other and yeah now we are a team with one goal = Winning together.
Angel the Dancehall Explorer: Not sure when it was (probably 2014 at a party), but when you all share the love for Dancehall, crossing paths is beautifully inevitable!
DJ Madbwoy: I think the dancehall artist Skeng is worth keeping an eye on since I hear he’s got potential to not only infiltrate the scene but also keep relevant.
Angel the Dancehall Explorer: I’d recommend the Jamrock Big Chune playlist on Spotify for anyone that wants to stay up to date as we have weekly updates with fresh Dancehall tunes.
Misplaced Objects - Anahit
Can you introduce yourself to our readers and let them know what you do when not at Echobox? My name is Anahit, I have been based here in Amsterdam for almost five years now, having previously lived in Armenia, France and Luxembourg. When not at Echobox, I stare at computer screens and shout at them when they don't do what I want 24/7. In other words, I work in IT security and technology consulting. Because of the highly digital nature of my work, I grew to appreciate manual activities and analogue technology; the reason why I got into analogue photography, record collecting and perfume making. To go even further and avoid network connection altogether, I travel once a year to settlements above the Arctic circle to escape the 'comfortable' life and to discover the modes of living of the local indigenous peoples. After being properly introduced to modular synthesizers, I am entertaining the thought of venturing into Eurorack as well and who knows, maybe into creating my own musique concrète one day.
What effect has community radio had on your life? Growing up in a post-Soviet country, it always seemed to me that the raison d'etre of the media, radio included, was to spread propaganda, conformism, and a uniform way of thinking. With capitalism flowing into the post-Soviet countries, it was still the same but with Colgate and Coca Cola commercials interrupting the broadcast every 5 minutes. While there were interesting programs every once in a while on Radio France or BBC, they were rare. A lot changed when I discovered that radio could also be decentralized, self-managed, non-profit and above everything else provide a new space of freedom, create a diverse community and let people share and explore new concepts, ideas, music. Berlin Community Radio was my go-to radio up until the end of its existence. I cherish the dedication and determination that goes into running community radios and it feels great to put in my two cents as a radio maker.
Tell us about your show Misplaced Objects - what is the general idea behind it? The purpose of my show is to introduce my audience to everything that can be characterized as electroacoustic music by not just playing the music for 60 minutes but by also discussing its origins, history and blending it with other disciplines such as philosophy, psychology, architecture and art. As I prepare and do research for my show, I discover a lot myself. It is also the perfect opportunity of getting in contact with amazing artists who make musique concrète or individuals who are involved in electroacoustic music. When studying in Paris and doing an internship at INA (National Audiovisual Institute of France), I discovered the names of Pierre Schaeffer and Pierre Henry and quickly became interested in their work and in musique concrète as a whole. Although I already had some knowledge of the avant-garde music of the likes of John Cage, Edgard Varèse, musique concrète was somewhat different and I caught myself reflecting on whether it was music at all or not. Even if it was not music, I was actively listening to it and reading anything that was at hand. It is fascinating how many genres we listen to and love today branched out from musique concrète while it remains largely obscure and unknown. Most people might think that it is music from the past, from the 50s, 60s but the fact is that it hasn't died out and there are still artists who make musique concrète.
What is a misplaced object you wish you could get back? Surface is a project I started in 2017 back in Wellington as a live art/electronic music night and radio show. Surface has always been dance music orientated without being restricted by one genre; at events, the audio would be curated to match or juxtaposed to live street art and graffiti. While on air it is a platform for local DJs to mix and promote electronic music. The Surface show on Echobox presents dance music in different dialects from the South Pacific and Asia. Dance music is massive here in Europe and it's a unique opportunity to share different sounds and perspectives from other parts of the world.
Tune in to Echobox - broadcasting from below sea level every week, Thursday until Sunday.